Posted on 1 Comment

MR. TIBBS HAS LEFT THE BUILDING

When I first moved into my humble little farmhouse, the first soul I met wasn’t human. It was a golden patched tabby cat, sitting under my giant pine tree. The date was August 20, 2021.
I said, “Well, hello there!”
He meowed a barely audible, “Meow.”
This was Mr. Tibbs.

FIRST PHOTO: AUGUST 20, 2021

From that day on, he came by nearly every day. He loved food. He loved cream. He especially loved catnip. Me? Meh – He tolerated me. For four solid years, if I came too close, I earned the same reply: HHHHHHHHHHHHH!! He’d take a couple swats at me as well. He was truly feral.

I remember an occasion or two that I snuck a few pets. He hissed in outrage. And punched me.

Around our fourth year anniversary, I noticed the change. He was getting thinner. He had trouble eating. He drooled. He still rolled in catnip, but he looked ragged and weary. I fed him baby food and gravy, slipped “natural antibiotics” into his meals, and watched him fight to stay himself. Days later, upon closer inspection, he had infected mouth ulcers. When he groomed himself, he’d cry in pain.

One evening, he stopped in the middle of the street, sat down, and would not move any farther. He meowed when I called. He looked so thin, so dirty, so tired. I went to him. I let him sniff the tub of catnip. He had zero interest.

I bent down and, for the very first time, put my hands gently around him and lifted him into my arms. He did not resist. He rested his head on my arm and … purred. I held him until he signaled he was done. Which was quite awhile. I went to get him food and cream, but when I came back he had already wandered down to the creek. He paused, looked over his shoulder at me then trudged away along the water’s edge.

💔 SEPTEMBER 6, 2025 💔

I called a vet and planned to take him in the next day. I would hold him as he crossed over.
But he never returned. For three days, his bowls of fresh/refreshed food and cream sat untouched. His catnip piles lay waiting. I’ve been around and raised enough animals to know: Mr. Tibbs was gone.

I sat on my porch and ugly cried.

After blowing my nose in my shirt, I noticed a yellow flower blooming out of season. Was it a message from the Great Kitty Beyond? I decided it was. And I read into it: You done right by me. (God, I hope so).

I went for a walk.

AND THANKS FOR ALL THE NIP!

And then something strange happened. I came home from said walk and found this guy waiting on my porch:

WHO IS THIS?!

He rolled in Mr. Tibbs’s catnip, ate all his food, drank all his cream. He rubbed against me, purred, and claimed the porch like it was his. This is Mr. Tibbs II, aka JUNIOR.

THE NIP

The next day, other familiar and unfamiliar cats appeared as well, as if gathering for … A wake!!

THE COUPLE FROM NEIGHBORHOOD ALSO STOPPED BY
EVEN MR. WHISKERS PAID HIS RESPECTS

The other cats went their separate ways. The neighborhood couple ate an entire tub of peanuts making quite the mess and left. In the wee hours I drove Mr. Whiskers home. But Mr. Tibbs II / Junior stayed. For several days, he was glued to my side — a very proper mourning. Perhaps he was just making sure I would be alright.
And he’s still here.

I will forever miss Mr. Tibbs: The Feral King Under The Giant Pine.
The one who let me hold him only once.

UNDER THE GIANT PINE TREE
Posted on

Small Blue

A small fledgling bluejay appeared the steps one recent morning, halfway between sky and soil, not quite ready to leave either. Its feathers were scruffy, not yet fully grown, its eyes fluttering open and closed in uncertain rhythm. It had slipped too soon into danger, where instinct and sorrow crossed paths.

The stray cat came first. She had lingered around the house since she was a frightened kitten herself—still unclaimed, still watching the door but never stepping in. Her instinct was ancient. She moved toward the fledgling. The fledgling’s parents screamed from the trees above.

Then, the door opened.

There was a moment—brief and impossible—where the soft underside of sorrow met the unfixable facts of nature. A towel was fetched. The bird was lifted. It closed its eyes. It opened them again.

A voice, quiet and human, told it: you can go.

There was no miracle. No cinematic flutter back to the branch. Just a stillness that settled like dust. The bird was carried beneath the big tree in the backyard—wide-armed and rooted deep. A hole was dug. The body returned to earth.

Above, the bluejay parents still cried.

A few words were whispered. Not out loud—grief often knows when to bow its head in silence. But later, as the wind stirred the branches, a voice did rise. It said: I’m sorry.
And meant it.

The next morning, when the stray cat returned for her daily meal, the bluejays cried again. Memory, it seems, lingers longer in feathers than in fur.

A photo was taken before the end—proof that he existed, that he was seen. Later, a painting was made: the fledgling in ink and blue, curled into stillness like sleep. A poem followed. And all of it—the image, the verses, the grief—became tribute.

Because he mattered.
Because small lives do.
Because even when the world doesn’t stop,
we can.

For Blue

You were not mine to keep,
but I kept you just the same—
in the hush between heartbeats,
in the cradle of my hands.

Feathers not yet ready,
eyes not yet gone—
you blinked once,
and I told you
you could go.

The sky didn’t break.
The world didn’t stop.
But I did.

I buried you under the big tree.
I whispered to God.
And I wept
because I saw you.

And you mattered.

Posted on

Faolanus Crinklii Monograph

Field Monograph: Faolanus crinklii

Compiled by Dr. S.L. Pickerel
Department of Domestic Fauna Studies
Ohio Institute of Paranormal Ecology

📘 Taxonomic Classification

Described: Pickerel, 2025

Kingdom: Animalia
Phylum: Chordata
Class: Mammalia
Order: Lagomintia (provisional)
Family: Menthosauridae
Genus: Faolanus
Species: crinklii
Common Name: Wintergreen Bandit

1. 📝 Morphology & Identification

No confirmed visual documentation exists of F. crinklii itself. All identification is based on indirect signs, primarily wrapper spoor—small cellophane rectangles (~4cm x 2cm), typically crinkled, discarded in clusters or linear trails.

Figure 1. Wrapper Spoor Pattern
Crinkled transparent rectangles deposited without nesting, often appearing in toe-print or arc formations. Believed to be a communication or navigation mechanism.

2. 🌏 Habitat & Range

Core Habitat:
Northwest Ohio (approx. 41.5°N, 83.7°W)

Confirmed Range:
Up to 100 miles from the core zone, with sightings in surrounding counties and residential interiors.

Map 1: Estimated Distribution of F. crinklii
Dark green = confirmed core habitat
Light green = expanded sightings
Spoor confirmed in both rural and suburban interiors and exteriors

3. 🍬 Diet & Feeding Ecology

F. crinklii is an obligate monophagous consumer of Wintergreen Life Savers (Mentha saccharata tabularis). No secondary food sources confirmed.

  • Foraging signs: torn or punctured wrappers
  • Unwrapping rate: ~2 seconds per unit
  • Rejection of non-target baits: 100% (Pickerel et al., 2023)

“The subject demonstrates a dietary rigidity unseen in most domestic cryptofauna.” – Journal of Applied Cryptozoology

4. 📈 Behavior & Temporal Activity

  • Nocturnal and elusive
  • Peak activity: 21:00–02:00 EST
  • Observed behaviors:
    • Repeat foraging at empty sites
    • Wrapper scattering in known corridors (e.g., kitchen → couch → glovebox)
    • Zero audio trace
    • Post-foraging denialism in suspected hosts

“Spoor appears freshly deposited within minutes, often under conditions of complete silence. Witnesses remain unaware until a sudden and inexplicable shortage of wintergreen is observed.” – Pickerel, 2024

5. 🔍 Field Identification Protocol

To confirm F. crinklii presence:

  • Survey wrapper sites daily.
  • Photograph spoor with macro lens and oblique light.
  • Map crinkle pattern density.
  • Count remaining mints before and after periods of absence.

Do not attempt confrontation.
Subjects exhibit advanced deflection and may trigger localized cognitive dissonance (“The Grandson Defense”).

6. 📚 Reference Notes

  • Pickerel, S.L. (2021). Unwrapping the Unknown: Faunal Markers of Midwestern Mintivores
  • Pickerel, S.L. & Collins, P. (2023). Cryptofaunal Mintivory: Ecological Monotony in the Domestic Sphere
  • Pickerel, S.L. (2024). Transdimensional Infiltration via Affection Anchors: The Grandma Effect

🔐 Conservation Status

Abundant.
Not subject to legal protection.
Local lore discourages eradication. Management strategies limited to rationing.

Appendix A: Visual Evidence of Existence of Faolanus crinklii

Collected and catalogued by P. Collins, 2025
All images unaltered. Locations and timestamps verified.


Figure A1.

Wrapper spoor trail, north/south alignment pattern.
Location: Eastern exterior of small farmhouse, Champaign County, OH (May 2025)


Figure A2.

Close-up of single wrapper (~4cm x 2cm).
Notable features: pressure-folded edge, leftward twist.
Location: Living room, Champaign County, OH (May 2025)

Posted on

Requiem

I. Apparitions
Though now a specter—I still see him—
emerging from the raw crucible
of the confining university halls,
where we fought the hunger of our discontent.
He was intellect and catharsis made flesh.
His face—angled, fractured—
a mimicry of Antonin Artaud’s,
staring back, unbearable, inescapable.


II. The Department
Within that savage asylum
of The Department,
time unraveled before us.
We staged performance as protest,
tearing into the structures we’d grown to despise,
fueled, in part, by an absurd common enemy.

He moved toward liberation, always—toward a theatre that could transform, empower.
I moved toward rupture—drawn to the fractures behind the mask.
We both believed in the breaking.
And … being young, we carried the weight of our own significance,
as if our belief alone could will itself into truth.

The fight burned within us.
But, man, did we laugh.


III. Dissonance
His death strikes like a dissonant chord,
a cacophony that does not fade—
it shatters and returns,
splintering the skull in an endless, merciless refrain.

Its nature does not linger; it devours.
It carves itself into the air,
into the walls,
into life.

I don’t ask “why”—
I know better than to claw at silence where no answer breathes.
But in the abyss of his final farewell,
that question festers—
like a blackened weed choking my psyche.


IV. Inferno
How did he slip into the world of shadows?

I know he did not “Go Gentle into that Good Night.”
No, he wrenched himself from existence
with the same fire that blazed within him forty years ago—

an inferno, a defiant eruption
against the suffocating disorder
of that atavistic reflex
of humanity.

I imagine a sacred stillness—
thick, suspended—
a fragile exhale before his hands,
at last, release.

Where are the broken pieces of his final moments?


V. What Remains
There is no anger here—
only raw, unrelenting, aching tenderness.
A heart grieving the ultimate cathartic dissolution in the Theater of Cruelty.
A heart grieving the enigmatic vanishing of a being who cried out, in his own decisive way:

Fuck. This. World.

I see the humor. Of course I do.
And I hear him laughing—at me, at my writing this.
That laughter searing through the rough edges.
I’ll hold that light where no one can piss on it.

Fuck. This. World.

Even the brightest flames wane.
Even the strongest grow weary.
There is no surrender in the closing of heavy eyes,
no defeat in the sovereignty of rest.


VI. Benediction
Goodnight, Sweet Prince you magnificent troublemaker.

What dreams may come…

With mortal sorrow,
your comrade in beautiful ruin,
Penny

No one has ever written, painted, sculpted, modeled, built, or invented except literally to get out of hell.
—Antonin Artaud

ANTONIN ARTAUD

CRAIG HARSHAW
1965-2025







*Photos blatantly stolen from various internet sites

Posted on

Cinderella Complicated

CINDERELLA COMPLICATED
It ain’t how you thought it would be.

My introspection these days hasn’t gotten quieter—it has gotten deeper. Yet the stillness I gain in my meditations isn’t soft ripples in a pond it’s more like ocean trench. There’s no peace in it. Just weightiness. A darkness that I feel.

For decades, I was simply surviving—and hoping. Hoping for some elusive some-thing, and believing that doing the work, staying true, being a free spirit was The Way. I didn’t need fame or money or social media strategies—or anything—to matter.
The art alone would be my echoed voice in this world,
and the art alone would be enough.

But now, suddenly, I want.
I want recognition. I want the comfort of monetary stability.
I want to be seen.

There’s something cruel about how, after decades of creating from a place of passion and defiant nonconformity—this is when the hunger shows up.

Not for praise, necessarily, but for proof.
Some kind of tangible confirmation that the path less taken wasn’t just a slow fade into obscurity.

And then comes the existential kick in the craw: Is the work enough? Or worse: The work is … mediocre.

Oh, God.

Dear Cinderella Complicated:

That voice—the one that says your art is mediocre—is a liar.
It wears the face of capitalism, aging, comparison, and fatigue.
It didn’t speak while you were immersed. It only emerged when you started looking over your shoulder at younger people being louder, shinier, and somehow everywhere.

But let’s be honest: You feel things—deeply, relentlessly, even though you don’t want to. You always have. That’s why mediocrity terrifies you. Because it would mean the work—the thing meant to hold your truth—just … stinks.

Not only undercrafted, but underimagined.
All that heat, nuance, wildness inside you—flattened into something forgettable.

And the wanting? That isn’t a flaw.
It’s just … finally admitting you’ve always wanted to be seen.
And deep down, you really believed the work alone would make that happen.

Instead, life happened.

Lovies,
You

Posted on

Commissions

ARF

YUP.

As you may, or may not know, I have something called Essential Tremors. I’m not sure if it’s that I’m older or if it was Covid or whatever – but the shakes are getting shakier. For example, I was visiting with friends at a restaurant. Eating has become quite the comedic entertainment. At one point I get some of that lovely green lettuce doused in dressing upon my fork, go to lift the bite to my mouth, suddenly my hand decides to audition for “Bobby Brady’s Cymbal Solo” in the middle of a quiet restaurant. Fork is a clanging, lettuce is a flying, and the entire place becoming intimately aware of my personal percussion performance. I did what any sane girl would do – I laughed. Then basically apologized to the entire restaurant. (One of said friends later called wondering if my condition was fatal).

There are workarounds and very very very expensive products. I bought the SILVERWARE THAT WON’T BANG YOUR PLATES. The trick to the ones I have are that they are weighted. They are weighted to the point they make my hand tired. I made the executive decision to skip public salads and get something easier. I can hold a bowl of soup pretty well. I sure can’t eat it with a spoon! And don’t think for a minute I haven’t downed a bowl in public. Half of which ends up down my chest. I’m basically become a walking Rorschach test. Yes, I’m a hot mess but I embrace the chaos.

” … to the last I grapple with thee; from hell’s heart I stab at thee; 
for hate’s sake I spit my last breath at thee!”

I do have meds for the shaky hands, but remembering to take them? That’s a whole other level of fine motor skill I haven’t mastered. Believe it or don’t, alcohol is known to actually help. So, my backup plan is beer. It’s like a chaotic good situation; I either stumble through life pill-less and shaky, or slightly less shaky and slightly tipsy. It’s a coin flip, really, and the coin is a bottle cap.

Call it!

ANYHOO

I say all the above to share that holding a pencil is getting rough. I have the heart to still do graphite pencil work – but color pencil levels me. The last 2 color commissions I had took FOR EVER. I restarted both of them. Maybe it’s perfectionism … Let’s just say they were less “artistic masterpieces” and more “artistic meltdowns.” I’m seriously considering dusting off the ol’ graphite pencils for some detailed commissions. Frankly, anything feels easier than wrangling those killer rainbow sticks right now. 

Color pencils?! More like KILLER pencils!! Amirite?!

Regarding The Secret Life Of Rabbits, however, is my place of zen. The memorial book above was a labor of love and a bit involved but I loved every moment. Drawing someone’s rabbit in a single comic? Absolutely! So, back to comic commissions and maybe even graphite commissions! Any thoughts?

Posted on

WHEN RABBITS WERE GODS

This is the age of the fifth sun. After the destruction of the fourth sun, the gods gathered together to decide who would become the next sun. Tecciztecatl, proud and rich, volunteered, but they needed someone else. So Nanauatl, a poor god, was chosen.

next sun.A huge bonfire was built, and when the time came, Tecciztecatl attempted to throw himself into the flame, but his fear overwhelmed him. Nanauatl closed his eyes and jumped. Ashamed, Tecciztecatl followed him into the fire.

Eventually, two bright suns rose in the sky. Angry that Tecciztecatl continued to follow Nanauatl, the other gods threw a rabbit at him, dimming the sun and leaving an imprint of a rabbit on his face. This is why the Aztecs say there is a rabbit in the moon …

Memory of Fire: Genesis, Eduardo Galeano.

The moral of the story:

Please don’t throw rabbits at the sun. Or anywhere for that matter.

Posted on 1 Comment

FANGIRL

Remember: It costs nothing to encourage an artist, and the potential benefits are staggering. A pat on the back to an artist now could one day result in your favorite film, or the cartoon you love to get stoned watching, or the song that saves your life. Discourage an artist, you get absolutely nothing in return, ever.

Kevin Smith

All year I braced myself to turn 57. Until 4 weeks before I turned 57 when I realized I was actually going to be 58. I then needed a real pick-me-up, yeah howdy.

I have never used the expression “yeah howdy” until the sentence above. It’s a weird time for me. Anyway, I saw that Kevin Smith was going to be at GalaxyCon. I actually called it “GalaxyQuest” until 4 weeks before the actual event. I’m starting to see a pattern emerge here …

I ACTUALLY PAID TO SEE THIS. DON’T JUDGE.

I love Kevin Smith. I like his movies, yes – but it’s his TALKS that never fail to hit me in the feels. I remember watching an interview that turned into him just waxing philosophical. For almost an hour. The primary gist was “Never give up.” And part of it was about not being too old to start.

“KEEP ON KEEPIN’ ON!” — BUDDY CHRIST. PROBABLY.

Well … I’ve already started and wavered – but I’ve started.

So one fine day, Kevin Smith liked a Regarding the Secret Life of Rabbits’ comic tweet! A super hero mash-up, in fact. Yeah Howdy!

As an act of gratitude I made a comic of Sam and Silent Bob.

And he RETWEETED IT!

AAAAAAAAAAAAA

and then it was picked up by some Hollywood website!

AAAAAAAAAAAAA

I went viral for a hot second. I mean, if you consider a tweet getting retweeted by a celebrity and some attention from a Hollywood gossip website going viral. Alas, fame still eludes me. Although, for $8.00 a month Elon Musk will let me have a blue checkmark!

I decided I wanted to meet this man. Kevin Smith – not Elon Musk.

NO.

I bought a “for $$$ get something autographed” ticket. The big day arrived. I cosplayed as … well … you know … That Lady.

Ok, it really wasn’t cosplay. I always look like That Lady. Kevin Smith was in a curtained-off booth, hidden from view. It was all very mysterious. Apparently mystery makes my palms and upper lip sweat. “OH. NO.” I thought to myself, “I HAVE A HAG HAIR.”

*Hag Hair: the thick black hair that sprouts on a person’s top lip or chin when their estrogen level crashes. Usually the thickness of a corded rope.

SERIOUSLY, I CAN LASSO CATTLE WITH THESE THINGS.

My turn! Kevin Smith smiled and extended a hand to shake mine. I looked at his hand. I looked at him. I blurted out a startled, “Oh!” and shook his hand. I am smoothe as silk.

I put “SAM AND SILENT BOB” in front of him. His hands lightly slap against the table.

“YES!” He looks at me, “I remember this!”

ME: You liked one of my tweets and I did this one to thank you!

KS: YES!

ME: <complete fangirl delayed reaction> OHMYGODYOUREMEMBER?!

KS: YES! <indicates comic> IS THIS YOU?!

ME: YES!

KS: THIS IS GREAT!

ME: OHMYGOD!

We seriously stood there exitedly yelling in each other’s general direction. Kevin Smith actually acted as geeked out about the comic as I was over him.

He shared that he had forwarded it to his daughter (the person I was actually focused on back then because – bunny mom) and she apparently found it … HILARIOUS.

I then explained my following grew because of that. I got a fist bump and he put his hand on his heart and said, “I love that.”

So FINALLY we get around to the signature and I haven’t once thought about that ebony serpent poking out under my nose.

He wanted to know whom to make it out to … “Could you make it out to my rabbit, Sammy?”

He put his hand out again. I looked at said hand again. I looked at him again. I blurted out a startled, “Oh!” and shook his hand again.

ME: Ok. I’m going to go cry now.

KS: Awwww. Don’t do that!

But I did.

I came away from this experience with a couple of things:

A. How does a person do as much as he does (podcast, comics, movies, speaking, autographs, publicity tours in general)? Everyone wanting and taking a little piece of you. How does he not lose his mind?

and

B. I never told him my name. He only knows Sammy.

If you wait long enough, everything you hope will happen, will happen. It just requires patience. It doesn’t require money. It requires patience and longevity. If you wait long enough in life, patience and longevity will absolutely deliver it to you.

Kevin Smith Again

Yeah Howdy.

PS. Don’t wait for someone else to make a way for your dream – make your own way.

Posted on 3 Comments

MOIDAH

Saint Paris is a sleepy little rural town in Southwest Ohio.

TOLD YOU IT WAS “SLEEPY”

Everyone knows everyone and everyone knows everything about everyone – especially my neighbor! It’s as if he is Don of a local Mafia.

YES. YES, I DID.

Except that murder and homicide just don’t happen here.

WAIT

… apparently in September 2020 it did!

HOLY PONY WAGON, BATMAN!

30 minutes later:
Good Lord that was so … disturbing!

ME READING THE DOCUMENT

OK. So generally speaking … murders do not happen here.
UNTIL NOW!
dun dun dun dunnnnnn

● 19:20 hours, body located on north side of the living room.

IRONIC THAT IT OCCURRED IN THE LIVING ROOM …

● Appears to be a homicide.

● Only evidence is a small round turd near the body.

DNA has certainly come a long way and one would think this would be an open and shut case. However, there are things impeding the investigation.

● Suspicious rabbit staring, unblinking as we complete this investigation.

OUR SUSPECT

Fortune smiles upon us: a witness steps forward!

I SAW THE WHOLE THING! I’M TRAUMATIZED!

It is a well-documented *fact that the perpetrator, more often than not, returns to the scene of the crime.
*Every show on Investigation Discovery

AH HAH!

Well, well, well. Time to pay a certain suspect a visit.

GET OFF MY PROPERTY!
DO YOU HAVE A WARRANT?!

All that’s left now is answering the question: Was it planned or was it a crime of passion.
Or was it COW ABDUCTION?!
AAAAAAAAAAAAAAAAAAA!

AAAAAAAAAAAAAAAAAAAAAAAAAA!

That was the last blog post. Check it out!
https://sammys.club/cow-pile

And here I thought wires were the only thing I had to worry about. Wires and carpet. Wires, carpet and books. Wires, carpet, books and art supplies. Wires, carpet, books, art supplies, clothing, my hair, my eyebrows, and base boards. And now cows.

BEST WITH SOUND

Kids, rabbits chew everything you need or want.

I already ordered another cow from Amazon. I also threw in a phone charger for good measure because – well – it is only a matter of time.

COURTESY OF AMAZON
Posted on 3 Comments

COW PILE

I have a curious fascination with cow abduction. I do not know why. I’m not into the “Mutilated Cow Found in New Mexico” headlines. At all.
However, the concept of a cow getting sucked up into a tractor beam is just so absolutely hilarious to me. I mean, cows? Why cows? Other than the fact they are so dingedly adorable?

We are called upon to actually believe intelligent beings, with technology far beyond our collective imagination, skate through galactic wormholes and meteor storms … for cows.

AWAITING THE MOTHER SHIP

The entertainment factor of bovine ascension alone is so high for me that I collect “Cow Abduction” trinkets. They make me chuckle every time I look at them. But more about that later.

I did some research on this riveting topic so you don’t have to. Lo, I found the first recorded case of cow abduction!

1897
It seems a man by the name of, I kid you not, “Alexander Hamilton” spoke of his poor cow and a cigar shaped object in the sky. He had to cut the mooer loose and watched helplessly as the ship disappeared with his cow. The article also mentions that Alexander Hamilton was a bon-a-fide member of a group of tall tale tellers. Well … Isn’t that just what the government would want us to think?

https://science.howstuffworks.com/space/aliens-ufos/cow-abduction.htm

1932 Saint Paris, Ohio

SEEMS LEGIT

2022 Saint Paris, Ohio

IT’S LITERALLY HOVERING OVER MY HOUSE!!

Anyways – trinkets!

HAHAHA HAHAHA HAHAHA

HOW IT ALL BEGAN