‘El-ahrairah, your people cannot rule the world, for I will not have it so. All the world will be your enemy, Prince With A Thousand Enemies, and whenever they catch you, they will kill you. But first, they must catch you, digger, listener, runner, prince with the swift warning. Be cunning and full of tricks and your people shall never be destroyed.’ And El-ahrairah knew then that although he would not be mocked, Frith was still his friend.
Richard Adams ̶ Watership Down
I recently took part in a charity auction called HOPAPALOOZA. Proceeds went to the Ohio House Rabbit Rescue. Each artist was given a large rabbit (a surprise, I know). Then it was up to us to paint it how we saw fit. Of course, I cannot simply jump into a project. I must overthink a project.
The following is my project statement and photos of the journey (and peanut gallery comments).
El-ahrairah fell into pride. Believing himself and his people to be the strongest in the world, he heeded not the warning of Frith. You can probably heap on a bit of vanity as well. He also paid the price for this folly. Frith confronted him and proclaimed that he would not be mocked and cursed El-ahrairah (see opening quote). Frith is, however, still a friend and allowed for methods of escape and preservation.
I easily relate to El-ahraira. Aren’t we all fallen spirits?
Frith
Frith is an Old English word meaning “peace; protection; safety, security.”
Inspector LanceBare-BonedBlack GessoMy assistant masking out linesA lovely earth toned mixOoooooDetailing in my Pajamas
My piece is a stylized El-ahraira : a symbolic examination (and reminder) of what it is to be “human”. Our humanity is symbolized by the Earth-tones and structure of the guiding lines (our need for order and architecture). What may not be recognized in this piece is the black base-coat symbolizing the Black Rabbit of Inlé (our mortality) – and yet it IS visible. It is the very linework of the character as well as the red inner shadow of El-ahrairah’s eyes.
And there he is. My assistant, DeLaney Paige, lent his extraordinary talents in ideas, painting, support and analysis. I say “analysis” because DeLaney explores the heart and soul of a thing. He is genuinely a gifted art teacher in the truest sense of the word. He also makes me laugh which is a BIG plus in my studio. So is singing ToTo’s “AFRICA.”
Where there is light, there must be shadow, where there is shadow there must be light. There is no shadow without light and no light without shadow …
― Haruki Murakami
When I was 17, my interest in symbolism caught fire. It began in a literature class when I studied Herman Melville’s Moby Dick. I ran the gamut of that study from Biblical symbolism to feminine symbolism. I’m not sure how my American Lit teacher felt about it, but I am proud to report that I received the only “A” in the history of that class for that project. ::takes an overachiever bow::
MOBY BUN
In college, I discovered the works of Carl Jung and the concept of the collective unconscious. (The idea that we are all connected through an invisible cosmic web – communicated via symbols).
AT PLAY IN THE COSMIC WEB
This is when I dove head-first down the rabbit hole (so to speak) of feminine symbolism and archetypal journeys. Archetypes are:
In the psychology of Carl Jung, archetypes are the images, patterns, and symbols that rise out of the collective unconscious and appear in dreams, mythology, and fairy tales.
dictionary.com
Jung believed that these symbols originated from when we crawled out of the primordial ooze. It is a beautifully romantic way to explain why so many cultures all over the world (who never had contact and were oceans apart) have the same images and characters and mythologies. To put it simply, we are all connected.
RAGING
Fast forward several years when I felt trapped in my life’s circumstance. We have all been there. If not, you are either young or very blessed. It was a place of frustration, agitation and it was a bit dark. At this same time, Honorable Daughter #1 began bringing rabbits home. She would rescue/steal/accept/smuggle them. She would nurse and care for the sick, groom them, rehome them. To this day she has the heart of a rescuer.
DEFEATED
Lance, Russette and Sammy were the three rabbits that I would not allow to leave. These three are affectionately known as “The Olde Guarde”.
I grew up in a farm community surrounded by all types of animals. My observations, even as a child, taught me that rabbits are animals of prey and behave accordingly. House rabbits, after having all those years of domestication, still behave as such. So there I was feeling trapped and frightened … with rabbits.
The following are basic definitions. They are moreso concepts based in an Aesop Fable (The Dog and the Wolf) sifted through my filters of feminine archetypal insanity (It’s my journey I can do what I want):
THE WILD – Freedom to be your true self. Living in the cover of the forest tapping into who you really are. The subconscious. This self allows you to set boundaries without guilt.
THE DOMESTIC – The comfort of shelter, food and the guides of social norms. In its ideal, it guarantees safety and healthy boundaries. The conscious mind.
Each, however, has its shadow:
THE WILD SHADOW – Hunted, hungry, darkness, fear, lost (yearning for the domestic)
THE DOMESTIC SHADOW – Caged, victimhood, dependent upon others for survival, the collar digging into the skin/complacency (yearning for the wild)
Our goal in living with these archetypes is to bring them together to find balance. In my opinion, in that balance, we find our “home.” It’s a lifelong journey and we all bounce around now and again. and again. and again. and yet again.
I could very well relate to the rabbits as prey animals. I also believe that this projection gave me an exceptionally strong bond to and with them.
The illustrated journey, unbeknownst to me at that time, of making peace with the WILD v DOMESTIC archetype began.
This was the birth of Raging Bunnies.
As I broke away from my situation and managed some self-examination, the bond with my rabbits evolved along with my art. I began to appreciate the rabbits’ gift of bringing laughter, absurdity and healing into my life. Regarding the Secret Life of Rabbits was born at this time. Then the characters in the comic started revealing themselves (and continue to do so).
THE FIRST COMIC
The comic offers humor even in strife. The process is very healing for me. The fact that others are interested in it is humbling. And the longer I do the comic, the more I reveal parts of myself.
Now, I stand in a visible (and quite public) duality. Wild (Raging) and Domestic (The Secret Life)
LilithRegarding The Secret Life Of Rabbits
Rabbits are timeless in their imagery. Not only are they recognized as symbols of fecundity and luck, but they are also symbols of the spirit world and rebirth; the eternal cycle of Life/Death/Life. Mortality and the hope for the eternal is a big theme in my Raging Bunnies artwork. Dark. Serious. Desperately attempting to preserve. It is an existential crisis in action.
Regarding the Secret Life of Rabbits shows the day-to-day, mundane, sometimes vulgar struggles but is always presented with the absurd. It offers a light-hearted look at life. I like that. And I will find something in every situation that makes me laugh (regardless of how inappropriate it may seem).
Together, you see my wild next to my domestic selves. One must always be able to express their wild. One must also realize boundaries are not always a bad thing. Reconciling the two brings peace. Through my work, I am “home.”
Sammy
I was asked to address the loss of Sammy. I have lost all three of my crew in the course of a year. They all lived long (and sometimes overfed) lives. Please know that The Olde Guarde lives on and always will. I even take offense when people refer to any of them in the past tense.
I honestly thought that when I lost Lance I would be devastated. He was my heart. Lance died in my arms and with his last breath I was, absolutely, devastated. Sammy was already in precarious health. He had horrific arthritis and was struggling but we were nursing him and loving him as always. The first night without Lance, he dragged himself over to Lance’s “spot” and just sat and groomed the floor. I witnessed him fade away. As you may, or may not, know – Sammy joined Lance within a month.
What I was not prepared for was how I felt at the time of Sammy’s departure. All of the Olde Guarde took on certain characteristics: Russette is a caretaker. She is curious and ornery but she is loving and slept at my feet. Lance is the wise protector standing guard by my bed and in the halls. Sammy, however – reflected some of my own neurosis and selfishness. It felt like I lost a part of my self.
When Sammy passed, I cradled him in my arms, turned into a corner and just wept; a painful ugly snot-filled cry. I would not let anyone touch him. Eventually, I was able to lay him down (still crying and petting him) for the Vet to take over. The experience was surreal.
Baskets are a womb symbol, a holder of life. They communicate spiritual joy and fulfillment. Baskets even sail saviors down rivers to be scooped up and adopted. Sammy loved his basket so much he ate half of it. This was his favorite spot.
